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The Finishing House  /  Journal

The Journal.

Notes on colour, finishes and the care of fine London homes — written by the people who decorate them.

Method

Over half the job you’ll never see. What proper preparation involves.

Ask what separates a paint job from a finish and the answer is rarely the painting. It is everything that happens before the first coat — the part a good firm refuses to rush.

3 min read
Heritage

Decorating in a conservation area. What London owners need to know.

Most of prime Central London sits inside a conservation area. Here is what that actually means when you want to redecorate — and the small amount of homework that keeps everything simple.

3 min read
Colour

Choosing whites for north-facing London rooms.

No colour is chosen more often, or regretted more quietly, than white. In a north-facing London room the wrong one turns grey by ten o’clock. Here is how to choose one that holds.

3 min read
Finishes

Matt, eggshell or satin? Sheen, room by room.

Two rooms painted the identical colour can feel entirely different. The variable is sheen — how much light the surface gives back — and it deserves as much thought as the colour card.

3 min read
Wallpaper

Fine wallpaper in period homes. Hanging it well, keeping it well.

A hand-printed paper can outlast every paint scheme in the house — if the wall beneath it is honest and the room around it is kind. Some notes on both.

3 min read
Finishes

Decorating a period London home: the complete guide

Everything that separates a finish that lasts from one that merely photographs well — the fabric, the preparation, the systems, the colour and the cost, in one considered guide.

Read · 11 min read
Finishes

What decorating a London room properly costs — and why

The number matters less than what stands behind it. Here is what a proper price includes — and how to read the ones that seem too good.

Read · 4 min read
Finishes

Caring for original cornicing and plasterwork

The finest work in a period room is usually above your head. Keeping it crisp is a discipline of thin coats, honest repairs and restraint.

Read · 4 min read
Finishes

Painting stucco façades: why breathability decides everything

London's white terraces look serene and live hard. The paint you choose decides whether the stucco beneath survives.

Read · 4 min read
Advice

Preparing a London property to let: decoration that earns its rent

In prime London, tenants have become selective and landlords compete on presentation. Decoration is no longer maintenance; it is pricing power.

Read · 4 min read
Finishes

Eggshell, satin or gloss? Choosing the right finish for woodwork.

The colour gets all the attention, but on woodwork it is the finish — the sheen — that decides how a room feels and how well the work survives daily life. Here is how we choose.

Read · 4 min read
Period homes

How often should a period London home be repainted?

There is no single answer, but there are sensible intervals — and knowing them protects both the look of your home and the fabric beneath the paint.

Read · 4 min read
Paint houses

Farrow & Ball vs Little Greene: choosing a paint for a heritage interior.

Two of Britain's most admired paint houses, both beloved in period London homes. They are more alike than not — but the differences are worth understanding before you choose.

Read · 5 min read
Free guide · PDF

Preparing your home for the decorators.

A short, practical guide — what to move and what we protect, access and alarms, pets and paint smells, and what each day of a commission looks like.

Download · PDF

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The Colour Room Not sure of the colour? Let the room decide. A few questions about aspect, daylight, plaster and what already lives in the room — then three considered schemes from Farrow & Ball and Little Greene, each with its ceiling, its woodwork and the right finish for every surface. Free, and no sign-up. Open the Colour Room

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